Professional Experience
Actually, I have just opened my restoration laboratory in Pescara where I have begun to work with both public institutions and private antiquaries.

Restoration of paintings (Main works)

2007-2009
Restoration of several paintings. In succession some works:
The last supper, altar piece of San Rocco Church in Montorio al Vomano (about 1580)
Virgin's Assumption, copy of Santa Maria del Popolo Carracci's paintings, San Rocco Church in Montorio al Vomano (about 1620)
Madonna whit San Sebastiano and San Silvestro, altar piece of san Silvestro church in Pescara (about 1650)
S. Stephen Martyrdoom, altar piece of San Domenico church in Penne (about 1650)
Virgin's Assumption by G.B. Ragazzini, altar piece of San Domenico church in Penne (about 1650)

2006/07
Restoration of six wood bust of Saints and six reliquary in shape of forearms, dated at the middle of XVII century, that are of property of the Atri's Capitolar Museum (TE). The work has been effected under the supervision of Superintendence and the restoration project has been approved by Superintendence director, dott.ssa Anna Imponente.
(look enclosed report 1 - 2 - 3) - (look Superintendence's nulla osta)

2006
Restoration of three paintings (oil on canvas with frames) dated between the end of 1500 and the middle of 1600, for the Fano Adriano's church (TE). The project has been approved by competent authority in the April 2006 and the work has been certificated by Superintendence director, dott.ssa Anna Imponente.
(look enclosed report 1 - 2) - (look Superintendence's nulla osta)

2005
Restoration of S. Berardo cathedral's painting (Oil on canvas, 1700) in Teramo. The project has been approved by competent authority in the summer 2005 and the work has been certificated by Superintendence director, dott.ssa Anna Imponente
(look enclosed report) - (look Superintendence's nulla osta)

2005
Restoration of SS. Poul and Peter church's altar-piece (1634) in Loreto Aprutino (PE)
(look enclosed report).

2003/2004 December/April
Restoration of Sancta Maria ad cellas church's altar-piece, S. Omero - Teramo - Italy. Oil on canvas with frame. The painting is under protection of Superintendence region Abruzzo
The project has been approved by competent authority and the work has been certificated by Superintendence director, dott.ssa Anna Imponente.
(look enclosed report) - (look Superintendence's nulla osta)

2004 March
Restoration of XVII century paintings , oil on canvas, 124 cm x 85 cm, with original frame.

Operations:
- Conservative restoration. Fixing of the colours with organic paste, reconstruction of the support, strip-lining with BEVA, framework on new frame;
- Painting restoration. Cleaning with both solvents (Methyl ethyl ketone + 4% Ethyl cellulose) and scalpel; applications of in-painting techniques: levelling of the surfaces preparation of tempera-based colours and finishing varnishes used in ''tratteggio'' selection and mimetic techniques; varnishing with organic and synthetic varnish (Blanc-matt and Laropal).

2003 September/October
Restoration of San Lorenzo church's altar-piece attributed to Emidio Paci, painter of the XIX century. Oil on canvas, 230 cm x 140 cm without frame.

Operations:
- Conservative restoration. Fixing of the colours with organic paste, reconstruction of the support, improvement of the surfaces using vacuum table, relining using organic paste;
- Painting restoration. Cleaning with both solvents (DMSO and Contrad 2000) and scalpel; applications of in-painting techniques: levelling of the surfaces preparation of tempera-based colours and finishing varnishes used in ''tratteggio'' selection and mimetic techniques; varnishing with organic varnish (Blanc-matt).

2003
Joint-work with restoration lab 'Restauro Realtime' in Ascoli Piceno (Italy). Restoring ancient paintings and gilt frame

2002/2003
Experiences during the course of ancient paintings restoration in Palazzo Spinelli - Florence.
In this period I have mastered these subjects:
-use of densifier products in the cleaning operations;
-use of vacuum technology for the improvement of the surfaces;
-modern methods of relining.

2000/2001 October/April
Restoration of two big altar-pieces and two small oval-shaped paintings in the church of Torano Nuovo - Teramo - Italy. All the paints had similar problems: deformation of surfaces, detachments and opacity of colours, tears and holes in canvases

Operations:
- Conservative restoration. Fixing of the colours with organic paste, reconstruction of the support, improvement of the surfaces using heat and humidity, relining using organic paste;
- Painting restoration. Cleaning with both solvents (DMSO and Contrad 2000) and scalpel; applications of in-painting techniques: levelling of the surfaces preparation of tempera-based colours and finishing varnishes used in ''tratteggio'' selection and mimetic techniques; varnishing with organic varnish (Blanc-matt).

2000 November
Cleaning with solvents (Buthil acetate + TEA) of a Raffaello Celommi's oil on canvas (1920, 40 cm x 65 cm, with frame).

2000 October
Restoration of a Madonna's wooden statue (first half XX century), 140 cm x 60 cm x 50 cm, church of Torano Nuovo, Teramo, Italy.

Operations:
Removal colour coats over the original, reconstitution of the missing parts, in-painting using mimetic technique, varnishing with synthetic varnish.

2000 October
Restoration of an 1800's oval painting (oil on canvas) 60cm x 45 cm without frame.

Operations:
- Conservative restoration. Removal of cardboard support pasted at the back with scalpel, removal paste and patches with scalpel, reconstruction of the support, relining using organic paste;
- Painting restoration. Cleaning with solvents (DMSO); applications of in-painting techniques: levelling of the surfaces and finishing varnishes used in ''tratteggio'' selection and mimetic techniques; varnishing with organic varnish (Blanc-matt).

1998 July/August
Restoration of 1600's altar-piece in Santa Maria a Vico church, S. Omero - Teramo - Italy.

Operations:
- Conservative restoration. Fixing of the colours with organic paste, reconstruction of the support, improvement of the surfaces using heat and humidity, relining using organic paste;
- Painting restoration. Cleaning with solvents (DMF); applications of in-painting techniques: levelling of the surfaces preparation of tempera-based colours and finishing varnishes used in ''tratteggio'' selection and mimetic techniques; varnishing with organic varnish (Blanc-matt).

1995/1997
I have worked in restoration laboratory of Prof. Emanuela Catenacci in Rome. I have begun to work on canvases of the 18th and 19th century and russian icons.

Restoration Yards

2007-2009 - twentyone tempera ceilings in palazzo Savini (Teramo)

2004 March - San Giovanni church's decorations and marbles in Atessa (Chieti - Italy)
- Polishing marbles, reconstitution of stone decorations

2003 October -Great hall of the Accademy of Beauty Arts (Macerata - Italy)
- Consolidation of two baroque altars, reconstitution of the missing parts

2003 August -S. Lorenzo church (Castel Trosino - Ascoli Piceno - Italy)
Operations of major altar:
- cleaning and consolidation of a painting in fresco
- reconstitution of the missing parts
- restoration of the gold decorations

2000 October
S. Maria delle Grazie church (Torano Nuovo - Teramo - Italy)
reconstitution of the missing parts of the altar's decorations
- reconstitution of the missing parts
- in-painting with tempera colours using mimetic technique
- restoration of the gold decorations

1998 September
Restoration of four ceilings painted in fresco (S. Onofrio - Teramo - Italy)
- removal of a coat of tempera over the pictorial decorations
- consolidation and cleaning of paintings
- in-painting with tempera and water-colours using mimetic technique

1995 May/July
Partecipation in restoration yard of the 'Holy Stair' Sanctuary (Campli - Teramo - Italy)
- consolidation of the paintings in fresco
- in-painting with water-colours of the altar using selection technique in gold
- removal of a coat of tempera over the pictorial decorations
- consolidation of the wooden ceiling and cleaning of paintings